- To me, this chapter is about avoiding reductionism. Don't reduce a story down to action, solely plot, or vigorous planning, but realizing that there are stories waiting to be made from anything, essentially, hence her Willie Nelson reference: the air is full of melodies [stories] you just have to reach out.
- this chapter also kind of reminded me of the quote "you owe reality nothing, and your imagination everything." Avoid reductionism. :p
4/17/11
Reading Response:
random impulse
Junkyard: An Old Indian Saying
It doesn't interest me what you do for a livingi want to know what you ache for,and if you dare to dream of meeting your heart's longing.It doesn't interest me how old you are.I want to know if you will risk looking like a fool for love,for your dreams, for the adventure of being alive.It doesn't interest me what planets are squaring your moon.I want to know if you have touched the center of your own sorrow,If you have been opened by life's betrayals or have become shriveled and closed from fear of further pain.I want to know if you can sit with pain, mine or your own,without moving to hide it or fade it or fix it.i want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill youto the tips of your fingers and toes without cautioning us to becareful or realistic or to remember the limitations of being human.It doesnt interest me that you insist the story you're telling me is trueI want to know if you can disappoint another to be true to yourself;and i want to know if you can admit dishonesty to be true to another;that you can bear the accusation of betrayal and not betray your own soul.I want to know if you can be faithful and therefore be trustworthy.I want to know if you can see beauty even when it is not pretty every day and if you can source your life from god's presenceI want to know if you can live with failure, yours and mine, and still stand on the edge of a lake and shout to the silver of thefull moon, "Yes"!It doesn't interest me to know where you live or how much money you have.I want to know if you can get up after the night of grief and despair,weary and bruised to the bone and do what needs to be done for the childrenIt doesn't interest me what mistakes you've made, or how you came to be hereI want to know if you will stand in the center of the fire with me and not shrink backIt doesnt interest me where or what or with whom you have studiedI want to know what sustains you from the inside when all else falls away i wan to know if you can be alone with yourself,and if you truly like the company you keep in the empty moments
Random Impulse -- Maybe sensitivity is the real backbone of strength
Random Impulse -- Maybe sensitivity is the real backbone of strength
random impulse -- Humans are like atoms...maybe
Junkyard
- You can shake the world gently"
- "if you're growing, you're always going to be out of your comfort zone"
- "write to be understood, speak to be heard, read to grow"
- be who you need to be
- You are told to love your neighbor -- but you have never loved yourself. And a person who has not loved himself, how can he love the neighbor? From where can he get love? First you have to have it. You are loving the neighbor -- you who knows nothing of love because you have never loved yourself. The neighbor is loving you -- he has never loved himself. Such insanity is happening in the world: people who know nothing of love are loving each other. It is like beggars begging from each other, each thinking the other is the emperor. Both are thinking in the same way: the other is the emperor. Both are beggars. Sooner or later the reality manifests itself; then there is misery, suffering. Then you think you have been cheated, this beggar has been trying to prove himself an emperor
-osho
4/10/11
Random Impulse
4/9/11
Random Impulse
- We talked about point of view in class this week. In my 60s culture class, we've been talking about the different perspectives from different social, racial and political groups in the sixties. I wrote a paper about the differences between civil rights activists based on race. In my paper for sixties culture, we talked about the SDS (Students for a Deocratic Society) and the SAS (Student Afro Society) during the Colombia University riots in 1968. The cause of this riot was because of two things: a gymnasium that was going to be a segregated gym (Gym Crow) along with the exposure of Colombia University's involvment with the assymbly of weapons to support the vietman war. The adults on campus were trying to supress the students' right to free speech because they felt that the students were bringing outside affairs onto campus. The SDS and SAS (both student ogranizations on campus) ended fighting each other instead of combining efforts. I feel the sixties, obviously, had a huge impact on where we are today socially. And for that reason that these two student groups who, for the most part, were different races of people (black -vs- white) along with different view points about what to do with the political and social situations they were forced to deal with. my point is that because of the fact that the view points during that time differed so much during the sixties, the perspectives where skewed and even exploited during times to come.
- I think it is interesting that in MLK's letters from bermingham he found a way to talk to the people who were opressing using the 'involved author' point of view where there is no single viewpoint from one character being utilized, but King takes on the perspective of those opressing, those being oppresed, and those who have the power to end oppression but turn the other cheek (usually friends). Choosing the right view point and utilizing it properly can obviously have a huge impact on how things are delt with inside of a story, during a speech, an everyday conversation, or letters being written to others in hopes to change the world for the better.
reading response
- The Fat Girl:
- Chapter Seven
Being a psychology major, i found chapter seven to be really interesting. Because humans are thrown into different cultures, lifestyles and given a different set of parents and siblings, attend different schools in various cultures and communities and have so many different languages that portray these different was of seeing the world there are so many different perspectives to write from. I thought it was interesting that different perspectives were broken down to portray a different idea and view point. I plan on doing more exercies pertaining to perspective because i enjoy being forced to look through someone elses eyes and perspectives. I find creative writing interesting because it allows me to study and analyze human behavior and toy with it. I liked this chapter. :]
4/4/11
junkyard
- "You owe relaity nothing. You owe your imagination and your feelings everything" -the triggering town "There is no such thing as a weird person, it's just that some need more understanding than others" - Tom Robbins
- "we do not believe in ourselves until someone reveals that deep inside us something is vulnerable, worth listening to, worthy of trust, sacred to our touch. Once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit. --e.e. cummings
- "I made my shoes shine with my coal / but my polish didn't shine the hole" Modest Mouse - Edit the Sad Parts
- "We're all so funny but he's lost his joke now / our communications come from one lined jokes / from stand up comics and rock musicians / making so much noise you don't know when to listen" - Modest Mouse
- "my concern was always about the nobody (not the genius), the man who is lost in the shuffle, the man who is so common, so ordinary that his presence is not even noticed... the only benefits, i reflected, which could offer me was to remove the differences which separated me from my fellow-man -Henery Miller
- There is a world in me unlike the world i know of. I dont think it is my exclusive property, it's only the angle of my vision which is exclusive in that it is unique. If i take the language of my unique vision nobody understands; the most colossal edifice maybe reared and yet remain invisible -Henery Miller
3/27/11
Junkyard
random impulse
random impulse
random impulse
Reading Responses
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3/26/11
3/23/11
3/22/11
Junkyard
"I feel underwhelmed and overwhelmed in all of the wrong places" - Unknown
"The real trouble with reality is that there is no background music"
"Going to church doesn't make you a Christian any more than standing in a garage makes you a car."
"War doesn't determine who's right. War determines who's left"
Reading Responses
"the basic elements of language are physical: the noise we make and the rhythm of their relationships."
After the poetry segment of the semester, i've become a fan of alliteration, and according to some of the people in the class i'm fairly decent at piecing together poetry that is fun to read and say. As the first half of the semester progressed, I've become a fan of word play. I love writing something that is fun to read out loud. Putting it together so that my readers understand has been secondary and a bit of a challenge, though, because i'm still new to the art of creative writing
Ch 2 -- Punctuation
I'm guilty of being one of those writers who forgets about punctuation while i'm in the process of writing. I'm too busy trying to build on my ideas and stories so i forget any kind of punctuation that isn't a period or a comma. Since i'm new to creative writing, and writing in geral hasn't been a strong point of mine, i plan on looking into buying, or at least, googling the ideas from the book referenced in the chapter, The Elements of Style.
I also feel that i may have been one of those students in grade school that was constantly scolded about using incorrect grammar and punctuation. As a result i've become intimidated by the idea of writing. I think that that is one of the reasons why i struggle with writing creatively now because i over analyze what i write as i am writing so instead of just getting my ideas down.

